Each note of a scale is the root of a triad. For example;
E F# G# A B C# D
C# D E F# G# A B
A B C# D E F# G#
tonic I supertonic ii mediant iii subdominant IV dominant V submediant vi leading
tone
vii*
In place of moving the triads into different positions eg. root, 3rd, 5th or 7th and playing around with the sound of the different arrangements of notes that way, I think that I will draw a contouring line in opposition to the melody line before I start writing in the notes. I don't believe that I want to make a choral (4 voices) Something more relaxed.
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